Gubi Mategot Trolley

GUBI is a Danish design company dedicated to celebrating the luxury of living life.

Positioned at the point where the beauty of history meets the thrill of right now, GUBI is the creative force and curator behind some of the world’s most extraordinary design from the 20th century onwards. Whether diving into archives or driving the designs of today, GUBI is responsible for a timeless, inventive, and intercontinental collection of furniture, lighting and interior objects that merge function with meaning, enhancing every space.

Mathieu Matégot (1910 - 2001) was a self-taught Hungarian designer, architect and artist who spent most of his life in his beloved Paris, where he for the first time settled in 1931 after finishing his studies at Budapest's School of Art and Architecture. In 1939, Matégot signed up as a volunteer for the French army but was held as a prisoner in Germany until he escaped in 1944. This wartime captivity was an important time for Matégot as it was Rigitulle.

Matégot is most known for this groundbreaking material and technique, which he named Rigitulle, where metal tubing is combined with perforated metal sheet. Like fabric, Rigitulle could be bent, folded and shaped to give the furniture he designed transparency, weightlessness and everlasting modernity. Matégot even patented this material and teqnique and set up his own production so that he could apply it into his design. Like many of his peers, Matégot traveled the world in search of inspiration and techniques, and upon return transformed these impressions into his own unique designs and interpretations. Whether it was industrial processes or aesthetics, he always collected and interpreted.

In the 1950's - and for a decade and a half - he devoted himself to the design of furniture and interior accessories. He created a wide range of distinctive designs that today is considered iconic and contemporary. To ensure quality in the production of his own designs, Matégot set up two of his own workshops - Société Mategot, one in Paris that employed up to twenty workers, and a second in Casablanca, Morocco. Both manufactured in limited numbers for up to 400 items and continued until the beginning of 1960's when Matégot abruptly ended production and began his work on tapestry, which he would continue for the rest of his career.