Alexander Girard Coffee Table

Founded in 1938, Knoll uses modern design to connect people to their work, their lives, their world. Throughout its history, by embracing the creative genius at the Bauhaus School and the Cranbrook Academy of Art, Knoll has been recognized for creating residential and workplace furnishings that inspire, evolve, and endure. Today, Knoll’s commitment to modern design and dedication to sustainability have yielded a unique portfolio of products that continue to respond and adapt to changing needs.

Knoll has always remained true to the Bauhaus design philosophy that modern furniture should complement architectural space, not compete with it. At Knoll, modern design has been the guiding principle, and a passion shared by customers and design professionals worldwide. 

Born in New York City, Alexander Girard was one of the leading figures of postwar American design, along with his close friends and colleagues George Nelson and Charles and Ray Eames.

The primary focus of his wide-ranging oeuvre was textile design: as head of the textile division at the Herman Miller Company, Girard created numerous textile patterns and products reflecting his love of festive colours, patterns and textures. He favoured abstract and geometric forms in a variety of different colour constellations, typically featuring a cheerful palette.

His upholstery fabrics remain as timely and vital as ever with many of them still being sold today. Having originally studied architecture, Girard made a name for himself over his long career in the fields of furniture, exhibition and interior design as well as in the graphic arts.

On his extensive travels, he avidly collected textiles from all over the world, which provided him with a rich source of inspiration and ideas. Alexander Girard passed away in 1993, followed five years later by his wife Susan. She bequeathed the holdings of this collection to the Vitra Design Museum along with the contents of Girard's studio (hundreds of drawings, prototypes and textile samples).